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hElo, wElkUm tuw town.

Hello! Welcome to Tone!

This page is a language introduction toolkit. Tone Text is the one writing system to learn to master speaking any language on Earth. The goal is to get a few thousand of the key words in every major language, past and present, so you can learn to speak any language without having to learn a complicated linguistics framework or master dozens of writing systems.

It differs from IPA in that it is less complex and more people focused. It is more like an English or Spanish script than something which seems foreign to most like IPA. Though this is not meant to replace IPA, it is basically an IPA for the casual user. It gets you 95% of the way there in terms of accurate pronunciation, leaving the remaining 5% which you can attain through practice with native speakers.

Plow through some flash cardsRead the rabbit storyCheck out the 40 languagesStudy the cheat sheet

After you go through this, remember there are flash cards to test your skill and give you some practice. Here is a basic editor to play around with the text and the keyboard.

Here you will find a guide to each important sound and sound sequence for speaking the languages of Planet Earth, written in Tone Text. We have the pronunciation of words written out for 40 languages.

You will also learn to read and write each base glyph, as well as the glyph variants to account for tone, clicks, and other variations of sound. For those who want to see all the words we have, click here.

Note, you can click on some of the glyphs to hear the sound it represents. If you'd like to skip ahead and see all the words for a sound, click on the arrow ▶ above any of the glyphs.

There are 2000 words in total you can potentially practice from. However, some of these words might be archaic, it's not meant to be a source for learning new words necessarily, only for mainly getting pronunciations down.

There are also 286 sound mappings on this page. There are only 36 base glyphs though, which represent the base sounds. Everything else derives off of those. Once you learn the base, and practice a few of the extra sound mappings, you will get the hang of it fast.

Also note there is an ASCII encoding scheme, to make it easy to write Tone Text on a standard computer or phone (shown below each glyph). This is how you would write Tone Text manually, which gets formatted for the font.

Let's get started!

Vowels

We begin with the 3 base shapes, out of which all base glyphs are created. Click on each letter to hear its sound. These are the 3 key vowels.

Note that the IPA sound range for each glyph is included underneath. A full phonology chart for the consonants is here. A similar vowel phonology chart is here. This should give you a way to map from one system to the other.

By rotating and flipping these 3 shapes, we get a total of 12 shapes, corresponding to the 12 base vowels.

Consonants

Now, to each of these 12 base square glyphs, we can add tails to 2 of its sides. This gives us the 24 base consonants. Click each to hear its sound.

Note that some of the consonant shapes resemble English letter shapes, such as m mmm, n nnn, d ddd, s sss, etc., as it was largely inspired by the English alphabet. Knowing this gives an aid to your memory.

So we have a total of 36 base glyphs, 12 vowels, and 24 consonants.

Next we will go into the vowel and consonant derivations.

Basic vowel derivatives

There are 3 more important vowels to learn, beyond the base 12. They are written by adding a dot to a similar sounding base vowel glyph.

a5a5
a$
e5e5
e$
i5i5
i$

Nasal Vowels

You can make all vowels into nasal vowels. Here are a few of those.

i0i0
i&
e0e0
e&
a0a0
a&
o0o0
o&
u0u0
u&
I0I0
I&
ɪ̰
E0E0
E&
ɛ̰
A0A0
A&
æ̰
O0O0
O&
ʊ̰ ɯ̰
U0U0
U&
ə̰ ʌ̰
1010
o$&
ɔ̰
2020
u$&
ɹ̰
a05a05
a$&
œ̰
e05e05
e$&
ø̰
i05i05
i$&
ɨ̰ ʏ̰

Other than tones, which we will get to later on this page, this covers the main vowel sounds.

Basic Consonant Derivatives

What follows are a few important consonants which are formed by adding a dot on the tailless side of the character, like @9@9@9 or @0@0@0. Some of these are retroflex sounds, while the rest are just other modifications on the underlying glyph's sound.

h5h5
H
q5q5
Q
s5s5
S
z6z6
Z
'3'3
'~
.
x4x4
X
j4j4
J
t4t4
T
d4d4
D
k6k6
K
f6f6
F
v3v3
V
n6n6
N
l3l3
L
r5r5
R

Ejective Consonants

These are formed by expressing the consonant with a lot of outward force. They get the outward tilting accent mark, as if it is a mark showing the glyph is being propelled forward, like @4@4@4 or @6@6@6.

p93p93
p!
t05t05
t!
k93k93
k!
k693k693
K!
h593h593
H!
s593s593
S!
s93s93
s!
q94q94
q!
ŋʼ ɴʼ

Implosive Consonants

There are just a few of these, used quite a bit in some African languages, as well as Vietnamese. They are formed with a back-driving arc, like @5@5@5.

g06g06
g?
d06d06
d?
b06b06
b?

Stop Consonants

These come at the end of words typically, but can also be in the middle. They are formed with ending your mouth in the shape of the underlying consonant, but not saying the consonant. Lots of languages have this feature, but only really Korean actually has glyphs for it.

p9p9
p.
t0t0
t.
k9k9
k.

Tense consonants

These are also a feature of Korean.

p99p99
p@
t00t00
t@
k99k99
k@
s99s99
s@

Click consonants

These are mainly featured in some African languages like the Bantu and Khosian language groups. They all have a full arc or point on the tailless side.

d08d08
d*
ǃ
t08t08
t*
ǀ
l08l08
l*
ǁ
p97p97
p*
ʘ
k97k97
k*
ǂ

Sequences

Then there are a few important glyph sequences, which are divided into two categories.

The first category are sound sequences, which map directly to glyph sequences. We sometimes think of these as individual sounds, but in reality they are composed of parts.

The second category are sounds or sound sequences where the last glyph (on the right) modifies the main sound(s) (on the left).

Consonant Clusters

Here are a few common consonant sequences.

txtx
tx
djdj
dj
qkqk
qk
ŋk ɴk
ksks
ks
ks
dzdz
dz
tsts
ts
ts5ts5
tS
tx05tx05
tx!
tʃʼ
ts93ts93
ts!
tsʼ
ts593ts593
tS!
tɬʼ

Diphthongs

Here are a few vowel and semivowel sequences.

awaw
aw
aw
auau
au
au
aoao
ao
ao
aiai
ai
ai
ayay
ay
ay
ewew
ew
ew
eueu
eu
eu
eiei
ei
ei
eyey
ey
ey
eUeU
eU
owow
ow
ow
ouou
ou
ou
oioi
oi
oi
oyoy
oy
oy
oUoU
oU
ioio
io
io
iaia
ia
ia
iuiu
iu
iu
ieie
ie
ie
iUiU
iU
uiui
ui
ui
ueue
ue
ue
uaua
ua
ua
uouo
uo
uo
uUuU
uU
AwAw
Aw
æw
AoAo
Ao
æo
AuAu
Au
æu

There are more vowel sequences which you will encounter, but this gives you the gist.

Tones

Tones are pronounced quickly and are pitched in relation to the rest of the words and sounds you are saying, they are not absolute pitch. These sound clips here slow the tones down and demonstrate their changes in a way you can hear them. You then need to speed this up and make the difference in tone a little more subtle to really nail it in real life.

Tone glyphs are represented by vowels with 1 of 4 possible accent marks on top (plus the non-accented mark, middle tone vowel). The two slashes tilting left (like it is speeding to the right and blown in the wind) are the highest tone, one tilt left is the regular high tone, one tilt right is low tone, and two tilts right ultra low tone. So there are 5 tones possible.

Complex tones, where the tone changes within a vowel or diphthong, are represented on single vowels by repeating the vowel and adding one tone mark to each vowel until all of the contour is delineated. On diphthongs, tone is distributed among the letters, and if it runs out of letters, it repeats the first letter as much as necessary.

i33i33
i++
i33ii33i
i++i
i˥˧
i33i44i33i44
i++i--
i˥˩
i3i33i3i33
i+i++
i˦˥
i4i4
i-
i44i44
i--
i44ii44i
i--i
i˩˧
i4i44i4i44
i-i--
i˨˩
i4i44i3i4i44i3
i-i--i+
i˨˩˦
ii33ii33
ii++
i˧˥
e33e33
e++
e33ee33e
e++e
e˥˧
e33e44e33e44
e++e--
e˥˩
e3e33e3e33
e+e++
e˦˥
e4e4
e-
e44e44
e--
e44ee44e
e--e
e˩˧
e4e44e4e44
e-e--
e˨˩
e4e44e3e4e44e3
e-e--e+
e˨˩˦
ee33ee33
ee++
e˧˥
a33a33
a++
a33aa33a
a++a
a˥˧
a33a44a33a44
a++a--
a˥˩
a3a33a3a33
a+a++
a˦˥
a4a4
a-
a44a44
a--
a44aa44a
a--a
a˩˧
a4a44a4a44
a-a--
a˨˩
a4a44a3a4a44a3
a-a--a+
a˨˩˦
aa33aa33
aa++
a˧˥
o33o33
o++
o33oo33o
o++o
o˥˧
o33o44o33o44
o++o--
o˥˩
o3o33o3o33
o+o++
o˦˥
o4o4
o-
o44o44
o--
o44oo44o
o--o
o˩˧
o4o44o4o44
o-o--
o˨˩
o4o44o3o4o44o3
o-o--o+
o˨˩˦
oo33oo33
oo++
o˧˥
u33u33
u++
u33uu33u
u++u
u˥˧
u33u44u33u44
u++u--
u˥˩
u3u33u3u33
u+u++
u˦˥
u4u4
u-
u44u44
u--
u44uu44u
u--u
u˩˧
u4u44u4u44
u-u--
u˨˩
u4u44u3u4u44u3
u-u--u+
u˨˩˦
uu33uu33
uu++
u˧˥

Aspiration

Aspiration is very common in Indian languages, and many other languages have it to.

h%h%
hh~
k%k%
kh~
t^t^
th~
p%p%
ph~
b^b^
bh~
g^g^
gh~
ɡʰ
d^d^
dh~
tx^tx^
txh~
tʃʰ

Voicelessness

Voicelessness is common in Icelandic, but is also found in a few other languages such as Welsh. It is done by saying the sound without your voice (like a whisper).

r%9r%9
rh!
m%9m%9
mh!
n%9n%9
nh!
q%9q%9
qh!
l^0l^0
lh!

Pharyngealization

These are common in Arabic. They are formed by pressing the back of your tongue up toward the back of your throat, while saying the main consonant.

s44s44
sQ~
d66d66
dQ~
C66C66
CQ~
t66t66
tQ~
l66l66
lQ~

Velarization

This is common in Irish. It adds a slight "French r" (growl-ish) sound after the main consonant.

b6b6
bG~
p4p4
pG~
d6d6
dG~
t6t6
tG~
l6l6
lG~
m4m4
mG~
n4n4
nG~
f4f4
fG~

Palatalization

This is common in Russian, and Chinese. It adds a slight y sound after the main consonant.

b5b5
by~
d5d5
dy~
f3f3
fy~
g5g5
gy~
h3h3
hy~
j5j5
jy~
ʒʲ
k3k3
ky~
l5l5
ly~
ʎ
m3m3
my~
n3n3
ny~
p3p3
py~
r3r3
ry~
s3s3
sy~
t5t5
ty~
tx5tx5
txy~
v5v5
vy~
x5x5
xy~
ʃʲ ɕ
z3z3
zy~
ʑ

Labialization

k33k33
kw~

That gets us through all of the sounds you will encounter in Earth's languages, at least to a rough approximation. This doesn't aim to give you a perfect native accent, as that is impossible to represent in a simplified writing system. Instead, it will give you a good foundation of speaking, which you can hone with real practice in a native environment.

Pronunciations

Tone Text is a pronunciation-based script. We would like that each word can have a standard/canonical written form. However this poses a problem: various dialects and slangs can pronounce the same word in various ways.

To solve this problem, we create a standard/canonical pronuncation, based on a specific point in time/history, and allow the actual pronunciation to diverge to allow for using this script without forcing you to be tied to that pronunciation. That is, there is a reference pronunciation, which is how it is written. This is captured during standardization time, which is based on a specific point in history. But then there is the actual pronunciation, which can be more fluid, yet it still writes the word in the canonical form (unless you want to emphasize the slang pronunciation).

You can hear more sound examples on Wikipedia (consonants, and vowels). We made our own recordings here to keep things simple and consistent, but sometimes it helps to hear it from another angle.

If you would like to help write any new words, or record any sounds or words, please send us a note at team@drum.work.